French Cinema

French & Francophone Film & Cinema 

Our class in French and Francophone cinema and film offers a diverse mix of classic and contemporary French language films.  The instructor, Manon Bellet, is a French cinephile who has a real passion for movies. 

In this course, after watching French language films, we will examine their directors and actors, analyze the themes and language, and learn vocabulary and expressions related to a specific film and to cinema in general.  Each class includes an open discussion in French and English. 

This course provides a deeper understanding and analysis of French language films in a relaxed environment on Zoom.  Because the class is virtual, the students are asked to watch the film (in French with English subtitles) before the lesson.

Class meets Wednesday night (see dates below) at 6:30 p.m. online on Zoom.

Fee: $135 for the full semester.

Please find below the list of dates and films for this semester. For more information, please contact Manon Bellet at manon@lunionfrancaise.org

Theme this semester: Films fantastiques

This series of 8 classes will present 8 films fantastiques - fantastical films - from the early days of French cinema to present day. Explore the experimental and the wondrous world of French cinema with films that are both famous and with famous directors.

Mercredi le 22 janvier – Wednesday, January 22

Voyage dans la lune, 1902, George Méliès 

In May 1902, Méliès directed the film A Trip to the Moon, loosely based on Jules Verne's novel From the Earth to the Moon (1865), its sequel Around the Moon (1870) and H. G. Wells' novel The First Men in the Moon (1901). In the film, Méliès plays Professor Barbenfouillis, a character similar to the astronomer he had played in Le Rêve de l'astronome in 1898.Professor Barbenfouillis is president of the Astronomer's Club and proposes an expedition to the Moon. A space vehicle in the shape of a large artillery shell is built in his laboratory and he uses it to launch six men (including himself) on a journey to the Moon. The vehicle is fired from a large cannon into space and hits Moon Man in the eye. The group explores the Moon's surface before falling asleep. While dreaming, they are observed by the goddess Phoebe, played by Bleuette Bernon, who makes it snow. Later, underground, they are attacked and captured by a group of lunar aliens, played by acrobats from the Folies Bergère. Taken before the alien king, they manage to escape and are chased back to their spaceship. Then, using a rope attached to the ship, the men, accompanied by an alien, fall from the Moon to Earth and land in the ocean (where a superimposed aquarium creates the illusion of the ocean depths). Finally, the ship is towed back to land, and the townspeople celebrate the adventurers' return. At 14 minutes, this is Méliès' longest film to date. A TRIP TO THE MOON, with a brand-new score by Jeff Mills and an improvised piano track by Serge Bromberg, plus narration by Georges Méliès. 


Mercredi le 5 février – Wednesday, February 5

La belle et la bête, 1946, Jean Cocteau

Jean Cocteau’s sublime adaptation of Mme. Leprince de Beaumont’s fairy-tale masterpiece ( 1757)—in which the pure love of a beautiful girl melts the heart of a feral but gentle beast—is a landmark of motion picture fantasy, with unforgettably romantic performances by Jean Marais and Josette Day. The spectacular visions of enchantment, desire, and death in BEAUTY AND THE BEAST (La Belle et la Bête) have become timeless icons of cinematic wonder. The plot of Cocteau's film revolves around Belle's father, who is sentenced to death for picking a rose from the Beast's garden. Belle offers to go back to the Beast in her father's place. The Beast falls in love with her and proposes marriage on a nightly basis, which she refuses. Belle eventually becomes more drawn to the Beast, who tests her by letting her return home to her family, and telling her that if she does not return to him within a week, he will die of grief. Beauty and the Beast is now recognized as a classic of French cinema.

Mercredi le 19 février – Wednesday, February 19

Delicatessen, 1991, Jean-Pierre Jeunet et Marc Caro 

Delicatessen is a 1991 post-apocalyptic science-fiction black comedy directed by Jean-Pierre Jeunet and Marc Caro, starring Dominique Pinon and Marie-Laure Dougnac. It was released in America under the title “presented by Terry Gilliam”. 

Mercredi le 5 mars – Wednesday, March 5

L’écume des jours, 2013, Michel Gondry

Mood Indigo ,L’écume des jours, lit. "The froth of days » est un film français de science-fiction romantique et surréaliste de 2013 coécrit et réalisé par Michel Gondry et coécrit et produit par Luc Bossi, avec Romain Duris et Audrey Tautou. Il s'agit d'une adaptation du roman de Boris Vian de 1947 portant le même titre français, traduit en anglais par Froth on the Daydream. 

Mercredi le 19 mars – Wednesday, March 19

Orphée, 1950, Jean Cocteau

Orphée is a 1950 French film directed by Jean Cocteau and starring Jean Marais. It is the central part of Cocteau's Orphic trilogy, which consists of Sang d'un poète poète (1930), Orphée (1950) and Testament d'Orphée (1960). The film is based on the classic Greek myth of Orpheus, a legendary musician who descends to the underworld to save his wife Eurydice. A unique visual style: “Orpheus is a visually visually stunning, with its dreamlike imagery and inventive use of special effects. Cocteau's use of mirrors, double exposures and inverted movements creates a surreal, otherworldly atmosphere that is both haunting and beautiful beautiful. 


Mercredi le 2 avril – Wednesday, April 2

La science des rêves, 2006, Michel Gondry

The Science of Sleep (French: La Science des rêves, literally The Science of Dreams) is a 2006 surrealistic science fantasy comedy film written and directed by Michel Gondry. Starring Gael García Bernal, Charlotte Gainsbourg, Miou-Miou and Alain Chabat, the film stems from a bedtime story written by Sam Mounier, then 10 years old. 

Mercredi le 16 avril – Wednesday, April 16

Peau d’âne, 1970, Jacques Demy

Peau d'Âne (French: Peau d'Âne (also known in English by the titles Once Upon a Time and The Magic Donkey) is a 1970 French musical directed by Jacques Demy, based on Peau d'Âne, a 1695 fairy tale by Charles Perrault about a king who wishes to marry his own daughter. The film stars Catherine Deneuve and Jean Marais, with music by Michel Legrand. Peau d'âne was Demy's most successful film in France, selling a total of 2,198,576 tickets. 

Mercredi le 30 avril – Wednesday, April 30

La planète sauvage, 1973, René Laloux

Fantastic Planet / La Planète sauvage is an independent, experimental art and science fiction film for adults, directed in 1973 by René Laloux and written by Laloux and Roland Topor. Topor, who also designed the film's production. The film was animated at the Jiří Trnka studio in Prague and was the subject of an international co-production between French and Czechoslovak companies. The allegorical story, which features humans planet dominated by giant humanoid extraterrestrials who consider them who regard them as animals, is based on the novel Oms en série by French writer Stefan Wul, published in 1957.